Related, the student policy review at Georgetown interviewed me a couple of weeks ago, which you might say helps bolster Kristof’s point. This is my answer to, “What would you say this new era of technology has brought to development economics and academia?”
I think research papers are finding a much wider audience. Let’s say you like to follow stories on women’s empowerment or international development, previously you would’ve had to wait for The Economist to cover an article, or you would’ve had to go out and search for it yourself.
Before, journalists had to intermediate between researchers and the public. What’s happened now is that some academics are essentially acting as curators. That is basically what blogging and Twitter is: curating. I tell stories that I think are interesting. I relate things that stimulate me, and if you like the same things that I do, then you can see the stories I find interesting. Some of that is research.
This era is bringing stuff to the public that otherwise would have been harder for people to find. It is like someone who curates for a museum: there is so much art out there, just jumbled, which makes it harder for the public to appreciate. But someone arranges things in a way that is legible and that is useful.
What worries me about Twitter—to which I was slightly late to—is that people now follow a lot of blogs through Twitter, and I would have lost a lot of followers had I not joined. It made me realize that at some point of the technological revolution I’ll be too late to join a new platform and will lose some of the audience.
Someone told me “Oh I’ve seen this on Vine,” and I had never heard of Vine. I’m already missing things. I don’t know what Snapchat is, but I do know that I refuse to take pictures of my food at the restaurant.
My larger comment on Kristof is this: Academia could do better but does have a public voice–a modest but growing one. What worries me is the dearth of people in government and diplomacy who write openly and honestly and often. The knowledgeable inside voices we don’t hear, except muffled through a public relations screen, is the great tragedy of social media.